I have enjoyed printing multiples so much, I thought I would make an entirely stamped painting. I made a first attempt using my "just go at it" approach and realized it would be hard to make adjustments to the print later. I have discovered when making multiples - if you make a mistake on one (and you know it's a mistake as quickly as you have made it) you have to make the same mistake on all the copies. Then the fix is the same. Since I wanted to make multiples with this project, I made several practice runs to work out the potential errors in advance.
I picked a color story to work with. I love the Color Star. Unfortunately it is out of print, but if you are lucky to have one it is enormously helpful on projects like this. There are many color therory wheels or charts that are helpful with solving color problems in paintings. They are necessary tools to have in your studio. I also made decisions about the pose of my Quilted Woman and the stamp choice. In this project I opted for one square stamp that I carved. It could be turned in any direction to give 4 different looks. And since it was square, it would stack nicely while I built my quilt blocks.
I limited this run to three images. I wanted to follow a cruciform, which I think is fairly uncomplicated. I use it quite a bit in my paintings of Quilted Women. It works well since so many of the QW have arms stretched out. Using the interior, lightest shades on the wheel I built the cruciform composition, gradually building in the darks around warm colors.
Once my blocks were completed, using a timy brush, I added the brightes hues in the H shapes exposed from stamping. I decide not to fill in the white spaces between some of the blocks. I think it could be done effectively, but because of my natural paper protected around the image, I thought it would be a unifying effect on the print. I liked it once I pulled my tape from around the image.
This is #1 of my three finished prints. They are all slightly different because each time I placed the stamp I applied a new thin layer of paint to the stamp. I love the exposed paper spaces from the stamping. It shows how each one is different because of color, texture, the way I pressed the stamp and of course the directional turn. I think this project was a lot of fun to make and successful as a finished project. I have to say I slipped in a second stamp at the top. Do you see it?
Things I learned
- Solve the problems before you begin the printing
- Pick a color story that allows you to tell the best story with your painting
- Choose an easy composition so that all of the nuance of hand work really shows up
- One stamp provides many options so don't think you have to have a lot to make beautiful paintings.
What I used
- Stonehenge printmaking paper
- Fluid acrylic paint
- carved rubber stamp
- removable tape
- brayer for paint applcation around the head
I would love to see what you create so be sure to share with me.